Albert’s Nest by Kayte

One of our readers, Kayte, from Dallas, Texas, left a beautiful comment on a post we did earlier this month on Albert by Donna Jo Napoli and illustrated by Jim LaMarche. She wrote:

I love your blog and have been following for a long time. As I do often with recommended titles, I checked Albert out from the library. My daughter (3.5 years old) ADORES this story and asks for me to read it over and over (and over). We finally returned it to the library and I was overjoyed to find it used at a local shop. My daughter has been walking around with a straw nest filled with wooden eggs and a felt cardinal for three days. Thank you so much for giving us Albert!

We always love hearing from our readers and especially when they get some joy from books we mention! I wrote to Kayte and asked if she would be willing to share a photo of the straw nest, wooden eggs and felt cardinal… And here is what she sent us -

alberts-nest-by-kayte-and-a

Isn’t it beautiful? What an incredible interpretation of a book – and so lovely to think of it being carried into real life in this way.

Kayte also told me that the eggs in this photo had originally been handpainted by her and her daughter after they read An Egg is Quiet by Dianna Aston and Sylvia Long.

an-egg-is-quiet

This is another beautiful book, one that celebrates eggs in all their shapes and sizes, and perfect for littlies interested in nature. I’m so impressed by Kayte’s efforts to creatively apply elements of these books!

Do other people create craft or activities based on picture books they read? We’d love to hear about them!

The Terrible Plop

This is definitely my favorite picture book so far in 2009!

terrible-plop

The Terrible Plop is a clever take on the formula of Henny Penny or Chicken Licken. Ursula Dubosarsky’s official website says that the story is actually based on a myth from Tibet. I found this cute quote from Ursula in the Adelaide Advertiser…

“Plop” in Asian cultures is quite poetic – the sound of a pebble plopping in a stream, that kind of thing.”

“It’s a more elegant kind of word in the original Tibetan. Whereas when you translate it into English, it just sounds funny: How can a plop be terrible?”

The cute little rabbits are sitting by the lake eating chocolate cake when ‘Suddenly comes A terrible PLOP”.

The rabbits terrified take off, hopping so very fast and gathering an increasingly panicked group of animals along the way. All of them terrified of the ensuing terrible Plop. The audience of course can see exactly what the PLOP actually is, an apple falling from the tree into the lake.

terrible-plop-1

However it is the big brown bear, sunning himself in a deck chair with a cocktail who halts the stampede, grabbing the littlest rabbit by the ear.

‘Now little rabbit,

You show me where

Is the place of the PLOP,’

Snarls the big brown bear.

‘Oh please big bear,

Don’t make me go.

I’m very afraid

Of the PLOP, you know’

So the brave little rabbit leads the bear to where it believes the PLOP to be. While the rabbit realises the mistake they have all made in being afraid, the bear hears a PLOP and runs leaving the one brave little rabbit to once again enjoy his chocolate cake.

plop-2

The Terrible Plop is so much fun to read aloud and the mixed media illustrations are equally as fun. The expressions that Andrew Joyner has given the animals are priceless and I really love that bear in the deckchair with his drink complete with little cocktail umbrella.

What you can’t see in the jacket image above is actually how beautiful this production is. The spine is bound in a beautiful yellow and orange stripe and the book is a deliciously long oblong shape making the page spreads magnificent and giving absolute justice to Andrew Joyner’s illustrations.

Meanwhile the fabulous South Australian theatre company Windmill are doing The Terrible Plop on stage from the 15th to the 30th of May 2009. I subscribe to the company and when they send their booklet of upcoming plays for the year it’s like getting a present. The program is incredibly presented so I can only imagine what their productions are like and their website is also just amazing.

plop-stage

See The Terrible Plop also featured on Misrule  and Tsk Tsk

||The Terrible Plop is available in the We Heart Books store||

When We Were Little

rabbit-and-his-friends

Must be time for another Golden Book… I recently discovered this book was also a favourite of my mum’s so it pre-dates my 1970s childhood. It was published in 1953. The story and pictures are by Richard Scarry, although this book is very different from his Busy Town and Best Ever Word books. Right now in our house, this is not a bad thing. We are going through a phase when the little person would read our copy of The Big Busy Book of Richard Scarry every storytime, while the big people are a little bit over it…

Rabbit and his Friends tells the tale of a Rabbit who discovers a roly-poly egg outside his hole one day. Thinking it belongs to Mrs Hen, he quickly runs to tell her. But when the egg hatches, they discover it is not a chick, but a very strange animal with a tail and fur coat like their friend the Beaver, webbed feet just like Duck, and who is shy like Squirrel. The other animals all come to meet him, but soon have to rush home to supper, leaving the strange-looking animal (who we can see is a platypus) to fend for himself. The next day, his new friends return, but cannot find him, until they come across a circus and when they are let in, they discover the platypus has a new home – the circus man has asked him to be in his cricus and given him a diving board and swimming pool. And best of all, he has lots of animal friends – and he is a little bit like them all.

rabbit-and-his-friends-spread

Richard Scarry is famous for his anthropomorphic illustrations where animals have human characteristics. The animals in this book have clothes, but are a bit more naturalistic, and less stylised than Scarry’s more famous ones. Perhaps this is because it was one of his earlier books. But a glance at the interpretation of Rabbit shows he is clearly a relative the rabbits of Busy Town.

There is a fascinating side-by-side comparison of a select few pages from a 1963 and a 1991 edition of Richard Scarry illustrations found here. Have a look if you are interested in the decisions made to make the illustrations more politically correct – the comments made to this Flickr site are also interesting.

This lovely blog shows what looks like an earlier edition of Rabbit and his Friends which has some additional illustrations to the my 1977 edition.

There is also a lengthy and slightly tongue-in-cheek biography of Richard Scarry to be found here. It describes the process of illustration Scarry used, drawing them in pencil on frosted acetate and filling in each colour one-by-one.

I will leave the last word of this post to Richard Scarry himself:

I’m not interested in creating a book that is read once and then placed on the shelf and forgotten. I am very happy when people have worn out my books, or that they’re held together by Scotch tape.

This will undoubtedly be true in our house.

We Heart Books Store News

At We Heart Books we love the idea of making art accessible to children through books – even from a very young age. One of our most popular blog posts was on books about sharing museum art with children. So we couldn’t resist the beautiful range of Charley Harper books from Ammo for the store.

Charley Harper (1922-2007) always loved nature and animals. He grew up on a farm and discovered that he enjoyed drawing and painting picture of wildlife. For over 60 years Charley painted bold, colourful, and sometimes whimsical interpretations of nature, animals and the woodland world around him. Renowned New York based designer Todd Oldham rediscovered Charley’s work in 2001, and collaborated closely with him, combing through his extensive archive to edit and design this series.

When I look at a wildlife or nature subject, I don’t see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. – Charley Harper

 

The Charley Harper board books – 123′s and ABC’s would make a stunning gift for a baby, especially for funky parents and bubs. The books are beautiful to hold with lovely matt pages and the vibrant colours jump off the page. The simple yet gorgeously descriptive text would make a lovely read-alound for a little one.

Charley Harper’s Flash Cards are also in our store. These sturdy cards, one for each letter of the alphabet, are gorgeous in so many ways. Beautiful for babies to look at and hold, educational for toddlers, and as a child grows, they can be used to create two different puzzles using the images on the reverse. We also think that the cards would make lovely wall art or a frieze in a nursery or child’s bedroom.

While you’re at the store, have a look at our Eric Carle softies – now on sale for the fantastic price of $10.95 (were $14.95).

||Charley Harper 123′s $19.95 at the We Heart Books store||

||Charley Harper ABC’s $19.95 at the We Heart Books store||

||Charley Harper Flash Cards $32.95 at the We Heart Books store||

When We Were Little…

Little Grey Rabbit books by Alison Uttley

I’ve mentioned before, I think, that I lived in England for two years when I was little. I have a small collection of books from that time, the Little Grey Rabbit books, by Alison Uttley. When I opened one this week, the inscription reminded me of a very special birthday party my mum put on for me when we were living in England. The inscription is from my aunty Jenny, and reads:

To Katie, Happy Grey Rabbit Party Day. Love Jen.

Alison Uttley wrote over 100 books, including the Little Grey Rabbit series, Sam Pig books and a novel, A Traveller in Time. For her era – born in 1884 – she was clearly  lucky to be able to get an education that matched her intellect. She progressed to Manchester University, where she got a scholarship to study physics – and became the second woman to graduate with honours.

I also learnt that Uttley’s writing career came about when she began writing to support herself (and her son) after her husband died in 1930 from deteriorating health complications due to the First World War.

Each of the little books tells a short story about one of the characters in Little Grey Rabbit’s world – there is the gentle and endearing Little Grey Rabbit, cheeky Hare who often thinks of his stomach first, and the slightly vain but helpful Squirrel. There is a lovely tenderness in the characters that Uttley creates, and the stories convey a certain time and place: a time when gipsies came to call, when clothes were washed in a tub, and children paid a penny to go to school each day.

Little Grey Rabbit's Washing Day

The soft watercolour illustrations by Margaret Tempest, reproduced in full colour on every page, are integral to the loveliness of this series – with coordinating borders and in various shapes, they seem like a peephole to the world described by Uttley.

Alison Uttley died in 1976, but – judging by my party’s theme – clearly her Little Grey Rabbit books were still popular in the 80s. It also appears that velvet party dresses were in vogue that year…

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I remember loving our hats – made by mum – each one denoting a different character. No surprise, look who got to play Little Grey Rabbit! And from the background of the photo above, it looks like we played ‘Pin the tail on Grey Rabbit’. 

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Even my cake has a scene with rabbits… Mum did a great birthday party.

Haiku Baby

Recently I was discussing the books I loved as a child with my mum, getting some inspiration for When We Were Little Sunday, when she told me that when I was a baby she actually borrowed books of Haiku poetry from the library to read to me.

I thought this was really lovely and then I found this little board book called Haiku Baby by Betsy Snyder and I have fallen in love with it. 

Flower

In tickly-toe grass,
a buttercup offers up
yellow nose kisses

The little blue bird on the jacket flits across the pages of this sweet book visiting his animal friends. Each gorgeous illustration is accompanied by a haiku celebrating an element of nature.

When I read this book I realised what a perfect form haiku is for reading to a baby; it is simple but melodic and soothing. I just find it really nice to find something different to all the other board books available and to find a book that has been so lovingly produced.

I am looking forward to sharing this gorgeous book with my new baby niece or nephew next year.

The author/illustrator Betsy Snyder is a blogger herself and recently mentioned we heart books on her blog, along with another of our favorite books Around the World With Mouk. The book Haiku Baby also has a really spectacular website, which even sings to you, it’s really worth a look.

||Haiku Baby available online from the we heart books/store||

||Betsy Snyder’s Blog||

||The Adventures of Mouk available online from the we heart books/store||

 

 

When We Were Little Sunday…

When I was little we lived for two years in the UK, and amongst the books of my childhood are many very English books. Ernest Owl Starts a School and Postman Joe are two such books and are part of the Blackberry Farm series by Jane Pilgrim, first published in the early 1950s. They are amazingly timeless stories, and the pen and watercolour illustrations by F. Stocks May are beautifully vibrant. The illustration style is very realistic, and detailed. This accuracy makes the lovely additions of clothes on Mrs Nibble the rabbit, and her children, very charming. (Curiously, the rabbits, squirrels and mice are the only animals who wear clothes, although Ernest the Owl sports spectacles and Postman Joe a satchel.)

The books tell stories of life on the farm which is owned by Mr and Mrs Smiles and their children, Joy and Bob. But the main stars of the show are the animals, which include typical northern hemisphere robins and squirrels as well as the all the usual farm crew.

In a sign of the books’ era, Postman Joe tells the story of the arrival of a new animal to the farm: the Large Red Animal – an animal which breathes out smoke as it crawls along the lane. The illustration shows that this animal is in fact what we know is a tractor. Through the illustration of the family standing proudly around the Large Red Animal, and from the other animals’ reactions, you can immediately relate to the novelty of such a vehicle.

Of course there are plenty of baby animals among the residents of the farm, which is why Ernest Owl decides to start a school. I think Ernest was a very progressive teacher for the 1950s, because he structured his lessons for individual learning needs, and even designed tasks to suit personal motivations of his students: Mary Hen was taught to count marbles so that she could tell how many eggs her mother had laid! And meanwhile the bunnies learnt to write the letters of their names.

I love the way the narrative in these books includes lovely asides. When we are first introduced to Mrs Nibble’s three little bunnies, we are told they had been ‘in bed with the measles, but they would soon be better.’ Jane Pilgrim includes some gorgeous details which make the scenes believable, such as the pot-plants which are used for stools in Ernest’s school.

A few years ago, a collection of the Blackberry Farm stories were re-released in a compendium, The Complete Tales of Blackberry Farm, which is available from Amazon. This format doesn’t seem nearly as nice to hold in your hand – especially a small hand – as the individual volumes, but happily ensures a new generation of children will know and love these characters.